It's October, which means we're going somewhere creepy, and I'm not just referring to the snakes Down Under.
Australian has no shortage of brutal convict history, but there’s a tangible creep factor visiting the cells of the Old Melbourne Gaol. It's unnerving as hell standing before the same gallows that dispatched notorious criminals like Ned Kelly, Frederick Bailey Deeming, and 131 others. Especially at night, when the lights are dimmed, the daytime tourists have cleared out, and writer Trevor Poultney is leading a group of two-dozen tourists. He reassures us that he doesn’t need to make up any silly ghost stories, since the jail has plenty of real-life stories to do the trick. In fact, the jail’s consistent paranormal activity inspired Trevor to start the ghost tours in the first place. Of course, nothing has been proved and there’s no guarantee you’ll actually see anything. I ask two couples in my group why they feel it is a good idea to spend Saturday night in a dark, haunted 19th century prison block. Both reply that it is a birthday present. Price of a Ghost Tour: $38. Scaring the crap out of your spouse: Priceless.
A purple early evening glow still permeates the cellblock when Trevor begins.
“It’s dark in here, and it’s going to get darker. Keep in a tight group, as it’s less likely you’ll be picked off.” He’s joking of course, but he’s also a great storyteller, adding just enough bite to his words to keep everyone on edge. It’s a ninety-minute tour, mostly conducted outside the cells since they are too small, too dark, too claustrophobic and too damn spooky to spend much time in. Trevor begins with the tale of a site supervisor locking up the museum for the night. Suddenly, she felt someone kick her in the leg. Heavy doors began banging, chains rattled, and she heard groans and screams. Apparently, much of the weirdness tends to emanate from Cell 17 on the second level, although no particular record exists as to why this would be the case. Trevor tells us that prisoners were often moved around, documentation has vanished, but conditions were notoriously horrific. At the rear of the first level, we sit around the lit-up death mask of Ned Kelly, the most infamous bushranger in Australian history. Alongside replicas of the handmade armour Ned wore during his famous shoot-out with the law, Ned’s head is the museum’s most famous attraction. Gad is it creepy!
After the lifeless bodies of the condemned were removed from the gallows, it was common practice for prison officials to shave their heads and cast their death mask for research. It was part of a discredited 19th century practice called phrenology, which believed science could physically determine the motivations of criminals and lunatics. Ned’s head looks peaceful enough as Trevor whips out his tablet to show us the three types of ghost photos the jail receives from visitors. There are the fakes, easy to spot and silly to attempt. The second are from people seeing things that simply aren’t there, an easy but sincere mistake given the numerous shadows and effects of using a camera flash.
“You paid good money. It’s an atmospheric building. We’re very suggestible. Of course we want to see a ghost, why else would we be here?” he explains. Out-of-focus blurry zoomed-in photos do make great ghost photos, but the apparition is just about always in the eye of the beholder. But, as my own photo from Savannah testifies, not always. The third photos are the anomalies, the ones with no feasible explanation. Trevor shows us the spectre of a man with a hat standing outside Cell 17. We see the wraiths of a woman and child that can be seen hovering on level three. Other visitors, who have not taken a ghost tour, claim to have physically encountered these people during the day, with some even asking them for directions. At the gallows on the second level, the very spot where 129 men and four women took their last breath, Trevor shows us the one photo that continues to freak him out. His own feet appear at the top of the photo beneath the demonstration rope…only, he was with the visitor who took the photo on the other side of the cell.
“I think it’s a peaceful building,” he whispers. “Do I believe in ghosts? Things happen here, and that’s as far as I’ll go.”
We have fifteen minutes to roam about freely before closing. We’ll enter cells to gaze at the haunting death masks of dispatched prisoners, feeling an icy chill lick our necks. We’ll read about the torrid history and conditions of the prison, which operated between 1842 and 1929. Not many visitors will go as far as to enter Cell 17, because Trevor has done a bang-up job spooking us about it. This is where the belligerent man with the hat appears. Where guests feel something pushing on them. Where breath gets laboured, and electronic devices go on the fritz. This is the one cell where guide dogs refuse to enter. With nervous giggles, a few of us still walk into Cell 17. With our imaginations in overdrive, a sense of dread in the cell is unmistakable. I took plenty of photos, of course, and I’ve poured over them in search of an apparition. As much as I want to believe beyond the shadows, I did not strike ghostly photographic gold in the Melbourne Gaol. I did however encounter a fascinating cultural and architectural history, entertaining stories, unforgettable characters, and a true one-of-a-kind experience. What more could you ask for on a great night out in the city?
Click here for more information about a Melbourne Gaol ghost tour, although as with many other activities in Melbourne and elsewhere, this is something to consider in your post-Covid plans.
In less haunting news, you can read my latest Bucket Listed columns for Can Geo Travel which adds 11 new experiences to my ever-expanding Canadian Bucket List, and reviews the incredible Arctic landscapes in renowned artist Cory Trepanier's new book.
Travel safe, stay inspired, and don't turn into a pumpkin.
Please come in. Mahalo for removing your shoes.
After many years running a behemoth of a blog called Modern Gonzo, I've decided to a: publish a book or eight, and b: make my stories more digestible, relevant, and deserving of your battered attention.
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